CV_Baers_writing_2023
Books:
2023 — Image Storage Containers (with Jeff Weber). Gevaert Editions, Brussels
2022 — A Paper Desert: The Western Sahara Conflict. Newcastle upon Tyne: Cambridge Scholars
2014 — The Outside of the Inside or the Inside of the Outside: The Making of An Oral History of Picasso in Palestine in the Context of Art’s Interdisciplinary Turn. Vienna (dissertation)
Articles and Chapters:
2022 — “All That Is Solid Melts into Light.” In: The Notion of Humanist Photography (Dudelange: Centre national de l’audiovisuel [CNA], 2022), 185 — 200.
2021 — “No Good Time for an Exhibition: The Making of Picasso in Palestine.” (Reprint) In: Janet Marstine (ed.) Curating Art. (London: Routledge, 2022), 213 — 227.
- “Round Heaven, Square Earth” (print adaptation of six-channel sound installation). In: Anselm Franke, Nida Ghouse, Paz Guevara & Antonia Majaca (eds.) Parapolitics: Cultural Freedom and the Cold War. (Berlin: Sternberg Press, 2021), 99 — 107.
2020 — “Crumb’s Nostalgia: Critique, Melancholia, and Cultural Obliteration—or—drawing the ‘Horror of America.’” ztscript No. 35 (Fragen), 2020, 35 — 47.
2019 — From Social Democratic Experiment to Postwar Avant-Gardism (co-author: Iris Ströbel). In: Michael Baers and Iris Ströbel (eds.), bauhaus imaginista online journal.
- Concerning Intent, Interpretation, Memory and Historical Ambiguity in the Conflict in Western Sahara. In: Saadi Nikro and Sonja Hegasy (eds.), Memory Studies Vol. 12 (3). London. Sage Publications.
- Crime Story: Berlin’s Tiergarten and Perceptions of Public Space. In: Sandra Bartolli (ed.), Tiergarten, Landscape of Transgression: This Obscure Object of Desire. Zurich: Park Books 122 — 133.
2018 — What Comes Under, After, Beyond: Notes on Jeff Weber’s Kunsthalle Leipzig. In: Jeff Weber, An Attempt at a Personal Epistemology. Amsterdam: Roma Books, 459 — 477.
- A First Step Towards a National Risk Assessment. e-flux journal, No. 91. (online journal).
2014 — Eros Cannot Be Found on Facebook. In: Alexandra Croitoru, Magda Radu, Dana Andrei (eds.), Dear Money. Bucharest: Salonul de Proiecte and the National Museum of Contemporary Art, 29 — 47. (in Romanian and English)
— Ett första steg mot en regional riskbedömning (“A First Step Towards a National Risk Assessment”). In: Johanne Løgstrup, Åse Lovgren, Karolin Tampere (eds.), Reform. Aarhus: Antipyrine, 92 — 101. (in Swedish)
- Vagaries and Vacillations: Some reflections on the making of An Oral History of Picasso in Palestine. In: Catalin Gheorghe (ed.) Vector — critical research in context. Critical theories and creative practices of research. Iasi: University of Arts George Enescu, 32 — 41; 43 — 58.
2012 — Michael Asher: Final Words and Unfinished Work. e-flux journal, No. 39. (online journal)
No Good Time for an Exhibition: The Making of Picasso in Palestine. e-flux journal, Nos. 33 and 34 (online journal). 1 part 2 part
2011 — Inside the Box: Notes from within the European Artistic Research Debate, e-flux journal, No. 26. (online journal).
Nonacademic Writing:
2015 — In the end it’s not a very funny problem: some future scenarios on artistic work and life. In: Airi Triisberg, Erik Krikortz & Minna Henricksson (eds.), Art Workers: Material Conditions and Labour Struggles in Contemporary Art Practice. Helsinki: Nordic Culture Point, 199 — 229.
2013 — 911 Words on Steve McQueen’s For Queen and Country. Tirdad Zolghadr (ed.), Red Hook Journal. Annandale-on-Hudson: Bard Center for Curatorial Studies. (online journal)
2012 — Silence After Noise Version 1. In: Convolution No. 2., New York, 92 — 127; accompanying poster work.
Writing for Media:
2016 — Sign Space. writing for documentary film, Hila Peleg, director, Berlin 2016.